| Year |
Title |
| 2016
|
‘If you want to be the man, you’ve got to beat the man’: Masculinity and the Rise of Professional Wrestling in the 1990s.
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy.
|
| 2013
|
‘I know it when I see it’: Style, Simulation and the Short-circuit Sign.
Semiotic Review.
|
| 2013
|
‘Nobody here does anything for nothing’: Reciprocity and Gender in Henry James’ "The Wings of the Dove".
Consciousness, Literature and the Arts.
|
| 2012
|
‘We should have brought the tank’: Hypermediated Interactivity in Red vs. Blue Machinima.
The Journal of Literacy and Technology.
2-26.
|
| 2010
|
Veni, Vidi, Wiki: Expertise as knowledge and a technocratic generation.
Reconstruction: Studies in Contemporary Culture.
|
| 2010
|
‘Removing the checks and balances that hamper democracy’: Play and the Counter-hegemonic Contradictions of Grand Theft Auto IV.
Eludamos: Journal for Computer Game Culture.
197-213.
|
| 2009
|
‘Some things are better left unsaid’: Discourses and the Sexual Abuse of Boys in Pop Culture since 1990.
Jeunesse: Young People, Texts, Cultures (formerly Canadian Children’s Literature 35.1).
67-93.
|
| 2008
|
‘I hope you never see another day like this’: Pedagogy & Allegory in ‘Post 9/11’ Video Games.
Game Studies: The International Journal of Computer Game Research.
|
| 2007
|
‘Everybody Else Ain’t Your Father’: Reproducing Masculinity in Cinematic Sports, 1975-2000.
Reconstruction: Studies in Contemporary Culture.
|
| 2007
|
‘You’ve always got time’: (Disposable) Coffee Cup Litter as Discursive Regime(s).
Verb.
1-12.
|
| 2006
|
'It’ll pass’: NYPD: Blue’s Sipowicz and Adaptive Masculinities.
UNIversitas: The University of Northern Iowa Journal of Research, Scholarship and Creative Activity.
|
| 2006
|
‘When a Killer Body Isn’t Enough’: Gender in Action-Adventure Video Games.
Reconstruction: Studies in Contemporary Culture.
|
| 2004
|
Two Guns, a Girl, and a PlayStationTM: Cross-Gender Identification in the Tomb Raider Series.
TEXT Technology.
157-84.
|
| 2003
|
‘War if necessary, but not necessarily war’: The Canadian Paradox and ‘Iraqi Freedom'.
Reconstruction: Studies in Contemporary Culture.
|
| 2002
|
'See Me, Touch Me, Feel Me’: (Im)Proving the Bodily Sense of Masculinity.
Reconstruction: Studies in Contemporary Culture.
|
| 2002
|
‘There shall be no discernible traces left’: The Invisible Butler in Ishiguro’s "The Remains of the Day".
Annual of the International Society for the Study of European Ideas.
17.
|
| 2000
|
The Collective Monologues of Cyberspace: The Internet’s Convention of Spontaneity.
Arachne: A Journal of Interdisciplinary Studies.
29-44.
|
